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The information provided in this part of our website is
presented in an effort to help you understand acoustics (the
science of sound) and how it affects you in everyday life.
Knowing the basics of sound and noise control will help you
select products and methods to better solve your acoustical
problems.
As always, you may contact one of our sales
representatives by phone at 1-888-454-6975 or by email at
tomies2000@aol.com to answer your questions and help you
build a solution that best fits your needs.
Glossary of Noise Control
Terms
ABSORPTION. A property of materials that allows a
reduction in the amount of sound energy reflected. The
introduction of an absorbent into the surfaces of a room
will reduce the sound pressure level in that room by not
reflecting all of the sound energy striking the room's
surfaces. The effect of absorption merely reduces the
resultant sound level in the room produced by energy that
has already entered the room.
ABSORPTION COEFFICIENT. A measure of the sound-absorbing
ability of a surface. It is defined as the fraction of
incident sound energy absorbed or otherwise not reflected by
a surface. Unless otherwise specified, a diffuse sound field
is assumed. The values at the sound-absorption coefficient
usually range from about 0.01 for marble slate to almost 1.0
for long absorbing wedges often used in anechoic rooms.
ACCEPTABLE SOUND LEVELS
|
Acceptable sound levels in
different location such as kindergartens, auditoriums,
libraries, cinemas ...according to the ETB
|
| Type
of Area |
NR
value |
Lp
dBA |
| Kindergartens |
30 |
35 |
| Auditorium |
25 |
30 |
| Library |
30 |
35 |
| Cinema |
30 |
35 |
| Concert
hall |
20 |
25 |
| Court
room |
25 |
30 |
| Theatre |
25 |
30 |
| Store,
retail |
35 |
40 |
| Supermarkets |
40 |
45 |
| Hospital,
corridor |
30 |
35 |
| Hospital,
operating theatre |
25 |
30 |
| Hospital,
private room |
20 |
25 |
| Hotel,
lobby |
35 |
40 |
| Hotel,
restaurant |
40 |
45 |
| Hotel,
ballroom |
30 |
35 |
| Church |
25 |
30 |
| Office |
30 |
35 |
| School,
lecture room |
25 |
30 |
| School,
corridor |
30 |
35 |
| School,
gymnasium |
30 |
35 |
| Swimmingpool |
35 |
40 |
| Studio,
record |
20 |
25 |
| Studio,
radio |
15 |
20 |
| Studio,
television with audience |
25 |
30 |
| Studio,
television without audience |
20 |
25 |
|
|
ACOUSTICS. (1) The science of sound, including the
generation, transmission, and effects of sound waves, both
audible and inaudible. (2) The physical qualities of a room
or other enclosure (such as size, shape, amount of noise)
that determine the audibility and perception of speech and
music within the room.
ACOUSTIC TRAUMA. Damage to the hearing mechanism caused by a
sudden burst of intense noise, or by a blast. The term
usually implies a single traumatic event.
AIRBORNE SOUND. Sound that reaches the point of interest by
propagation through air.
AMBIENT NOISE. The total of all noise in the environment,
other than the noise from the source of interest. This term
is used interchangeably with background noise.
ANECHOIC ROOM. A room in which the boundaries absorb nearly
all the incident sound, thereby, effectively creating free
field conditions.
ANSI. The American National Standards Institute.
ARTICULATION INDEX (AI). A numerically calculated measure of
the intelligibility of transmitted or processed speech. It
takes into account the limitations of the transmission path
and the background noise. The articulation index can range
in magnitude between 0 and 1.0 . If the AI is less than 0.1,
speech intelligibility is generally low. If it is above 0.6,
speech intelligibility is generally high.
ATTENUATION. The reduction of sound intensity by various
means (e.g., air, humidity, porous materials...).
AUDIO FREQUENCY. The frequency of oscillation of an audible
sound wave. Any frequency between 20 and 20,000 Hz.
AUDIOGRAM. A graph showing individual hearing acuity as a
function of frequency.
AUDIOMETER. An instrument for measuring individual hearing
acuity.
A-WEIGHTED SOUND LEVEL. A measure of sound pressure level
designed to reflect the acuity of the human ear, which does
not respond equally to all frequencies. The ear is less
efficient at low and high frequencies than at medium or
speech-range frequencies. Therefore, to describe a sound
containing a wide range of frequencies in a manner
representative of the ear's response, it is necessary to
reduce the effects of the low and high frequencies with
respect to the medium frequencies. The resultant sound level
is said to be A-weighted, and the units are dBA. The
A-weighted sound level is also called the noise level. Sound
level meters have an A-weighting network for measuring
A-weighted sound level.
The
A-weighted sound level LA is widely used to state
acoustical design goals as a single number, but its
usefulness is limited because it gives no information on
spectrum content. The rating is expressed as a number
followed by dBA, for example 36 dBA. A-weighted
sound levels correlate well with human judgments of relative
loudness, but give no information on spectral balance. Thus,
they do not necessarily correlate well with the annoyance
caused by the noise. Many different-sounding spectra can
have the same numeric rating, but have quite different
subjective qualities. A-weighted comparisons are best used
with sounds that sound alike but differ in level. They
should not be used to compare sounds with distinctly
different spectral characteristics; that is, two sounds at
the same sound level but with different spectral content are
likely to be judged differently by the listener in terms of
acceptability as a background sound. One of the sounds might
be completely acceptable, while the other could be
objectionable because its spectrum shape was rumbly, hissy,
or tonal in character. A-weighted
sound levels are use extensively in outdoor environmental
noise standards.
BACKGROUND NOISE. The total of all noise in a system or
situation, independent of the presence of the desired
signal. In acoustical measurements, strictly speaking, the
term "background noise" means electrical noise in
the measurement system. However, in popular usage the term
"background noise" is often used to mean the noise
in the environment, other than the noise from the source of
interest.
BAND. Any segment of the frequency spectrum.
BAND PASS FILTER. A wave filter that has a single
transmission band extending from a lower cutoff frequency
greater than zero to a finite upper cutoff frequency.
BROADBAND NOISE. Noise with components over a wide range of
frequencies.
CALIBRATOR (ACOUSTICAL). A device which produces a known
sound pressure on the microphone of a sound level
measurement system, and is used to adjust the system to
Standard specifications.
COCHLEA. A spirally coiled organ located within the inner
ear which contains the receptor organs essential to hearing.
CUTOFF FREQUENCIES. The frequencies that mark the ends of a
band, or the points at Which the characteristics of a filter
change from pass to no-pass.
CYCLE. The complete sequence of values of a periodic
quantity that occurs during one period.
CYCLES PER SECOND. A measure of frequency numerically
equivalent to hertz.
CYLINDRICAL WAVE. A wave in which the surfaces of constant
phase are coaxial cylinders. A line of closely-spaced sound
sources radiating into an open space produces a free sound
field of cylindrical waves.
DAMPING. The dissipation of energy with time or distance.
The term is generally applied to the attenuation of sound in
a structure owing to the internal sound-dissipative
properties of the structure or to the addition of
sound-dissipative materials.
dBA. Unit of sound level. The weighted sound pressure level
by the use of the A metering characteristic and weighting
specified in ANSI Specifications for Sound Level Meter, S1.4-1983. dBA is used as a measure of human response to
sound.
|
Comparing decibel A, B and C.
|
|
Relative
response (dB)
|
Frequency
(Hz)
|
|
31,5
|
63
|
125
|
250
|
500
|
1000
|
2000
|
4000
|
8000
|
|
dBA
|
-39,4
|
-26,2
|
-16,1
|
-8,6
|
-3,2
|
0
|
1,2
|
1
|
-1,1
|
| dBB |
-17 |
-9 |
-4 |
-1 |
0 |
0 |
0 |
-1 |
-3 |
|
dBC
|
-3
|
-0,8
|
-0,2
|
0
|
0
|
0
|
-0,2
|
-0,8
|
-3
|
|
|
|

|
|
DECIBEL. A unit of sound pressure level, abbreviated dB.
| The
Decibel
is equal to ten times
the logarithm to base 10 of the ratio of two
quantities.
L = 10 log (E1
/ E2)
where
E1 and E2
are the two quantities.
|
How to calculate changes in
sound and power pressure levels.
|
|
If
the power from the source doubles,
the sound power level
increase with 3 dB.
|
|
Adding
equal sound power levels
Lw(total)
= Lw(single source) + 10 log N
where
N = number of
sources
|
|
Number
|
Increase
in sound power level
dB |
Increase
in pressure level
dB |
| 2 |
3 |
6 |
| 3 |
4,8 |
9,6 |
| 4 |
6 |
12 |
| 5 |
7 |
14 |
| 10 |
10 |
20 |
| 15 |
11,8 |
23,6 |
| 20 |
13 |
26 |
|

|
|
Adding
equal sound pressure levels
Lp(total)
= Lp(single source) + 20 log N
|
|
|
Adding
different sound levels |
Difference
between
two levels, dB |
Add
to higher level,
dB |
| 0 |
3
|
| 1 |
2,5 |
| 2 |
2 |
| 3 |
2 |
| 4 |
1,5 |
| 5 |
1 |
| 6 |
1 |
| 7 |
1 |
| 8 |
0,5 |
| 9 |
0,5 |
| 10
or more |
0 |
|

|
|
DIFFRACTION. A modification which sound waves undergo in
passing by the edges of solid bodies.
DIRECTIVITY INDEX. In a given direction from a sound source,
the difference in decibels between (a) the sound pressure
level produced by the source in that direction, and (b) the
space-average sound pressure level of that source, measured
at the same distance.
DOPPLER EFFECT (DOPPLER SHIFT). The apparent upward shift in
frequency of a sound as a noise source approaches the
listener or the apparent downward shift when the noise
source recedes. The classic example is the change in pitch
of a railroad whistle as the locomotive approaches and
passes by.
DOSIMETER. A device worn by a worker for determining the
worker's accumulated noise exposure with regard to level and
time according to a pre-determined integration formula.
ECHO. A wave that has been reflected or otherwise returned
with sufficient magnitude and delay, so as to be detected as
a wave distinct from that directly transmitted.
EQUIVALENT A-WEIGHTED SOUND LEVEL (Leq). The constant sound
level that, in a given time period, would convey the same
sound energy as the actual time-varying A-weighted
sound level.
FAR FIELD. Describes a sound source region in free space
where the sound pressure level obeys the inverse-square law
(the sound pressure level decreases 6 dB with each doubling
of distance from the source). Also, in this region the sound
particle velocity is in phase with the sound pressure.
Closer to the source where these two conditions do not hold
constitutes the near field region.
FILTER. A device for separating components of a signal on
the basis of their frequency. It allows components in one or
more frequency bands to pass relatively unattenuated, and it
attenuates components in other frequency bands.
FREE SOUND FIELD (FREE FIELD). A sound field in which the
effects of obstacles or boundaries on sound propagated in
that field are negligible.
FREQUENCY. The number of times per second that the sine wave
of sound repeats itself, or that the sine wave of a
vibrating object repeats itself. Now expressed in hertz(Hz),
formerly in cycles per second (cps).
|
An introduction to the nature
of sound with frequency, wavelength and octaves.
|
|
|
Sound
energy is transmitted through air (or other
particles) as a traveling pressure wave. In
air the displacement wave amplitude may range
from 10-7 mm to a few mm per
second. |
|
Frequency
The frequency
(cycles per second) of a sound is expressed in
hertz (Hz).
f = 1/T (Hz)
The range for
human hearing is from 20 to 20.000 Hz. By age
12-13.000 Hz are the limit for many people.
|
|

|
Wavelength
The wavelength
of sound is the distance between analogous
points of two successive waves.
l
= c / f
where
c = speed of
sound (m/s)
f = frequency (Hz)
|
|
Octave |
|
| Octave |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
| Frequency
(Hz) |
63 |
125 |
250 |
500 |
1K |
2K |
4K |
8K |
| Wavelength
in air (m) |
5,46 |
2,75 |
1,38 |
0,69 |
0,34 |
0,17 |
0,085 |
0,043 |
|
|
HAIR CELL. Sensory cells in the cochlea which transform the
mechanical energy of sound into nerve impulses.
HARMONIC. A sinusoidal (pure-tone) component whose frequency
is a whole-number multiple of the fundamental frequency of
the wave. If a component has a frequency twice that of the
fundamental it is called the second harmonic, etc...
HEARING. The subjective human response to sound.
HEARING LEVEL. A measured threshold of hearing at a
specified frequency, expressed in decibels relative to a
specified standard of normal hearing. The deviation in
decibels of an individual's threshold from the zero
reference of the audiometer.
HEARING LOSS. A term denoting an impairment of auditory
acuity. The amount of hearing impairment, in decibels,
measured as a set of hearing threshold levels at specified
frequencies. Types of hearing loss are: 1. Conductive: A
loss originating in the conductive mechanism of the ear; 2.
Sensor-neural: A loss originating in the cochlea or the
fibers of the auditory nerve; 3. Noise induced: A
sensor-neural loss attributed to the effects of noise.
HEARING THRESHOLD LEVEL (HTL). Amount (in decibels) by which
an individual's threshold of audibility differs from a
standard audiometric threshold.
HERTZ (Hz). Unit of measurement of frequency, numerically
equal to cycles per second
IMPACT INSULATION CLASS (IC). A single-figure rating that
compares the impact sound insulating capabilities of
floor-ceiling assemblies to a reference contour.
IMPACT SOUND. The sound produced by the collision of two
solid objects. Typical sources are footsteps, dropped
objects, etc., on an interior surface (wall, floor, or
ceiling) of a building.
IMPULSIVE NOISE, a) Either a single sound pressure peak
(with either a rise time less than 200 milliseconds or total
duration less than 200 milliseconds) or multiple sound
pressure peaks (with either rise time less than 200
milliseconds or total duration less than 200 milliseconds)
spaced at least by 200 millisecond pauses, b) A sharp sound
pressure peak occurring in a short interval of time.
INFRASONIC. Sounds of a frequency lower than 20 hertz.
INTENSITY. The sound energy flow through a unit area in a
unit time.
INVERSE SQUARE LAW. A description of the acoustic wave
behavior in which the mean-square pressure varies inversely
with the square of the distance from the source. This
behavior occurs in free field situations, where the sound
pressure level decreases 6 dB with each doubling of distance
from the source.
.
ISO. The International Organization for Standardization.
LEVEL. The logarithm of the ratio of a quantity to a
reference quantity of the same kind. The base of the
logarithm, the
reference quantity, and the kind of level must be
specified.
LOGARITHM. The exponent that indicates the power to which a
number must be raised to produce a given number. For
example, for the base 10 logarithm, used in acoustics, 2 is
the logarithm of 100.
LOUDNESS. The subjective judgment of intensity of a sound by
humans. Loudness depends upon the sound pressure and
frequency of the stimulus. Over much of the frequency range
it takes about a threefold increase in sound pressure (a
tenfold increase in acoustical energy, or, 10 dB) to produce
a doubling of loudness.
.
LOUDNESS LEVEL. Measured in phons it is
numerically equal to the median sound pressure level (dB) of
a free progressive 1000 Hz wave presented to listeners
facing the source, which in a number of trials is judged by
the listeners to be equally loud.
MASKING. 1. The process by which the threshold of audibilty
for a sound is raised by the presence of another (masking)
sound. 2. The amount by which the threshold of audibility of
a sound is raised by the presence of another (masking)
sound.
MASKING NOISE. A noise that is intense enough to render
inaudible or unintelligible another sound that is also
present.
MEDIUM. A substance carrying a sound wave.
NEAR FIELD. The sound field very near to a source, where the
sound pressure does not obey the inverse square law and the
particle velocity is not in phase with the sound pressure.
NIOSH. The National Institute for occupational Safety and
Health.
NOISE, 1. Unwanted sound. 2. Any sound not occurring in the
natural environment, such as sounds emanating from aircraft,
highways, industrial, commercial and residential sources. 3.
An erratic, intermittent, or statistically random
oscillation.
NOISE ISOLATION CLASS. (NIC). A single number rating derived
in a prescribed manner from the measured values of noise
reduction between two areas or rooms. It provides an
evaluation of the sound isolation between two enclosed
spaces that are acoustically connected by one or more paths.
NOISE LEVEL. For airborne sound , unless specified to the
contrary, it is the A-weighted sound level.
NOISE REDUCTION (NR). The numerical difference, in decibels,
of the average sound pressure levels in two areas or rooms.
A measurement of "noise reduction" combines the
effect of the sound transmission loss performance of
structures separating the two areas or rooms, plus the
effect of acoustic absorption present in the receiving room.
An introduction to the Noise
Rating (NR) curves developed by the International
Organization for Standardization (ISO).
|
The Noise Rating (NR) curves are developed by
the International Organization for
Standardization (ISO).
Noise rating
graphs are plotted of Sound Pressure Level at
frequency to show how acceptable sound levels
varies with frequency.
What is
acceptable varies with the room and the use of
it. There is a different curve obtained for
each type of use.
Each such curve is obtained by an NR number.
|
Noise
rating and applications
|
| Noise
rating curve |
Application |
| NR
25 |
Concert
halls, broadcasting and recording
studios, churches |
| NR
30 |
Private
dwellings, hospitals, theatres,
cinemas, conference rooms |
| NR
35 |
Libraries,
museums, court rooms, schools,
hospitals operating theaters and
wards, flats, hotels, executive
offices |
| NR
40 |
Halls,
corridors, cloakrooms, restaurants,
night clubs, offices, shops
|
| NR
45 |
Departement
stores, supermarkets, canteens,
general offices |
| NR
50 |
Typing
pools, offices with business
machines |
| NR
60 |
Light
engineering works |
| NR
70 |
Foundries,
heavy engineering works |
|
Noise rating
curves |
|
|
Noise
rating curve
|
Octave
band mid-frequence, Hz
(dB refrence 0,00002 N/m2)
|
|
31,5
|
62,5
|
125
|
250
|
500
|
1000
|
2000
|
4000
|
8000
|
|
NR
0
|
55
|
36
|
22
|
12
|
5
|
0
|
-4
|
-6
|
-8
|
|
NR
10
|
62
|
43
|
31
|
21
|
15
|
10
|
7
|
4
|
2
|
|
NR
20
|
69
|
51
|
39
|
31
|
24
|
20
|
17
|
14
|
13
|
|
NR
30
|
76
|
59
|
48
|
40
|
34
|
30
|
27
|
25
|
23
|
|
NR
40
|
83
|
67
|
57
|
49
|
44
|
40
|
37
|
35
|
33
|
|
NR
50
|
89
|
75
|
66
|
59
|
54
|
50
|
47
|
45
|
44
|
|
NR
60
|
96
|
83
|
74
|
68
|
63
|
60
|
57
|
55
|
54
|
|
NR
70
|
103
|
91
|
83
|
77
|
73
|
70
|
68
|
66
|
64
|
|
NR
80
|
110
|
99
|
92
|
86
|
83
|
80
|
78
|
76
|
74
|
|
NR
90
|
117
|
107
|
100
|
96
|
93
|
90
|
88
|
86
|
85
|
|
NR
100
|
124
|
115
|
109
|
105
|
102
|
100
|
98
|
96
|
95
|
|
NR
110
|
130
|
122
|
118
|
114
|
112
|
110
|
108
|
107
|
105
|
|
NR
120
|
137
|
130
|
126
|
124
|
122
|
120
|
118
|
117
|
116
|
|
NR
130
|
144
|
138
|
135
|
133
|
131
|
130
|
128
|
127
|
126
|
|
|
Noise rating
diagram
|
|

|
|
NOISE REDUCTION COEFFICIENT (NRC). A measure of the
acoustical absorption performance of a material, calculated
by averaging its sound absorption coefficients at 250, 500,
1000 and 2000 Hz, expressed to the nearest multiple of 0.05.
NON-IMPULSIVE NOISE. all noise not included in the
definition of impulsive noise.
OCTAVE. The interval between two sounds having a frequency
ratio of two.- There are 8 octaves on the keyboard of a
standard piano.
OCTAVE BAND. A segment of the frequency spectrum separated
by an octave.
OCTAVE BAND LEVEL. The integrated sound pressure level of
only those sine-wave components in a specified octave band.
OSCILLATION. The variation with time, alternately increasing
and decreasing, of (a) some feature of an audible sound,
such as the sound pressure; or (b) some feature of a
vibrating solid object, such as the displacement of its
surface.
OSHA The Occupational Safety and Health Administration.
PEAK SOUND PRESSURE. The maximum absolute value of the
instantaneous sound pressure in a specific time interval.
Note: in the case of a periodic wave, if the time interval
considered is a complete period, the peak sound pressure
becomes identical with the maximum sound pressure.
PERIOD. The duration of time it takes for a periodic wave
form (like a sine wave) to repeat itself.
PERMANENT THRESHOLD SHIFT (PTS). A permanent decrease of the
acuity of the ear at a specified frequency as compared to a
previously established reference level. The amount of
permanent threshold shift is customarily expressed in
decibels.
PHON. The unit of measurement for loudness level.
PINK NOISE. Noise with constant energy per octave band
width.
PITCH. The attribute of auditory sensation that orders
sounds on a scale extending from low to high. Pitch depends
primarily upon the frequency of the sound stimulus, but it
also depends upon the sound pressure and wave form of the
stimulus.
PLANE WAVE. A wave whose wave fronts are parallel and
perpendicular to the direction in which the wave is
traveling.
PRESBYCUSIS. The decline in hearing acuity that is
attributed to the aging process.
PURE TONE. A sound for which the sound pressure is a simple
sinusoidal function of the time, and characterized by its
singleness of pitch.
RANDOM NOISE. An oscillation whose instantaneous magnitude
is not specified for any given instant of time. It can be
described statistically by probability distribution
functions giving the traction of the total time that the
magnitude of the noise lies within a specified range.
REFLECTION. The return of a sound wave from a surface.
REFRACTION. The bending of a sound wave from its original
path, either because it is passing from one medium to
another or by changes in the physical properties of the
medium, e.g., a temperature or wind gradient in the
air.
RESONANCE. The relatively large amplitude of vibration
produced when the frequency of some source of sound or
vibration "matches" the natural frequency of
vibration of some object, component, or system.
RESONATOR. A device that resounds or vibrates in sympathy
with a source of sound or vibration.
REVERBERANT FIELD. The region in a room where the reflected
sound dominates, as opposed to the region close to the noise
source where the direct sound dominates.
REVERBERATION. The persistence of sound in an enclosed
space, as a result of multiple reflections, after the sound
source has stopped.
REVERBERATION ROOM. A room having a long reverberation time,
especially designed to make the sound field inside it as
diffuse (homogeneous) as possible.
REVERBERATION TIME (RT). The reverberation time of a room
is the time taken for the sound pressure level to decrease
60 dB from its steady-state value when the source of sound
energy is suddenly interrupted. It is a measure of the
persistence of an impulsive sound in a room as well as of
the amount of acoustical absorption present inside the room.
Rooms with long reverberation times are called live rooms.
RMS SOUND PRESSURE. The square root of the time averaged
square of the sound pressure.
ROOM SOUND PROPAGATION Indoor
The sound in a room will
propagate to the receiver by direct sound and
reverberant sound.
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For a
continuing source in a room, the sound level
is the sum of direct and reverberant sound and
is given by
Lp
= Lw + log (D / (4
p
r2) + 4 / R) (dB)
where
D =
directivity coefficient
R = room constant (m2)
r = distance from source (m)
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Room
constant
R = S
am
/ (1-am)
(m2)
where
S = total
surface of the room (m2)
a
= absorption coefficient
am
= mean apsorption coefficient for the room
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Absorption coefficient
a =
Ia / Ii
where
Ia
= sound intensity absorbed
Ii = incident sound intensity
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The rooms total absorption, m2
Sabine
Am
= S
S a
(m2 Sabine)
The mean
apsorption coefficient for the room am
= Am / S
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The sound level
as a sum of direct and reverberant sound
for a source in a room.
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For
a continuing source in a room,
the sound level is the sum of
direct and reverberant sound and
is given by
Lp
= Lw + log (D / (4
p
r2) + 4 /
R)
(dB)
where
D
= directivity coefficient
R = room
constant (m2
Sabine)
r = distance from source (m)
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Directivity
coefficient
The
figure can be used to estimate
the directivity coefficient D.
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The
figure permits calculation of
theoretical sound pressure
levels Lp, from both
direct and reverberant sound, at
a given distance (r) from a
source inside room of sound
power level Lw. R is
the room constant.
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An introduction to
propagation of sound outdoor.
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When
the distance from the
the power source
doubles,
the sound pressure
level decrease
with 6 dB.
This
relationship is also
known as the inverse
square law.
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Lp
= Lw - 20 log r
+ K'
where
r
= distance from
source (m)
K' = constant
When
source radiates
hemispherically with the
source near ground K' = - 8.
When source radiates
spherically K' = - 11.
Other
factors affecting the radiation
of sound might be direction of
the source, barriers and
atmospheric conditions. The eq.
can be modifyed as
Lp
= Lw - 20 log r
+ K' + DI - Aa - Ab
where
DI
= directivity index
Aa = attenuation
due to atmospheric conditions
Ab = attenuation
due to barriers
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Ambient sound level in
different rural and urban environments.
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| Conditions |
Octave
band centre frequency, Hz |
| 63 |
125 |
250 |
500 |
1000 |
2000 |
4000 |
8000 |
| Night-time |
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|
|
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|
| Rural,
no nearby traffic of concern |
42 |
37 |
32 |
27 |
22 |
18 |
14 |
12 |
| Suburban,
no nearby traffic of concern |
47 |
42 |
37 |
32 |
27 |
23 |
19 |
17 |
| Urban,
no nearby traffic of concern |
52 |
47 |
42 |
37 |
32 |
28 |
24 |
22 |
| Business
or commercial area |
57 |
52 |
47 |
42 |
37 |
33 |
29 |
27 |
| Daytime |
|
|
|
|
|
|
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| Business
or commercial area |
62 |
57 |
52 |
47 |
42 |
38 |
34 |
32 |
| Industrial
or manufacturing area |
67 |
62 |
57 |
52 |
47 |
43 |
39 |
37 |
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| Within
300 ft (91 m) of continuous heavy traffic |
72 |
67 |
62 |
57 |
52 |
48 |
44 |
42 |
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ROOT-MEAN-SQUARE (RMS). 1. The root-mean-square value of a
time-varying quantity is obtained by squaring the function
at each instant, obtaining the average of the squared values
over the interval of interest, and then taking the square
root of this average. For a sine wave, if you multiply the
RMS value by the square root of 2, or about l.41, you get
the peak value of the wave. The RMS value, also called the
effective value of the sound pressure, is the best measure
of ordinary continuous sound, but the peak value is
necessary for assessment of impulsive noises. 2. A term'
describing the mathematical process of determining an
'average' value of a complex signal.
SABIN. A measure of the sound absorption of a surface; it is
the equivalent of one square foot of a perfectly absorptive
surface.
SHIELDING. The attenuation of a sound, achieved by placing
barriers between a sound source and the receiver
SONE. The unit of measurement for loudness. One sone is
the loudness of a sound whose loudness level is 40 phons.
Loudness is proportional to the sound's loudness rating,
e.g., two sones are twice as loud as one sone.
SOCIOCUSIS. Loss of hearing caused by noise exposures that
are part of the social environment, exclusive of
occupational-noise exposure, physiological changes with age,
and disease.
SOUND. 1. An oscillation in pressure, stress, particle
displacement, particle velocity, etc., in an elastic or
partially elastic medium, or the superposition of such
propagated alterations. 2. An auditory sensation evoked by
the oscillation described above. Not all sound waves can
evoke an auditory sensation: e.g. ultrasound.
SOUND INTENSITY, power per
unit area, vary substantially with distance from source, and
also diminish as a result of intervening obstacles and
barriers, air absorption, wind and other factors.
The intencity from a source
pasing a spherical surface around the source can be
expressed as
I = W / A = W / 4 p
r2 (W/m2)
In a progressing leveled wave
the intensity can be expressed as
I = W / A = p2 /
r c (W/m2)
where
I = intensity of sound
(W/m2)
W = power (W)
A = area (m2)
r = radius in the spherical surface (m)
p = root mean square pressure (N/m2)
r
= density (kg/m3)
c = velocity of sound (m/s)
Sound intensity expressed in
dB
LI = 10 log (I /
I0) (dB)
where
I0 = reference
intensity (W/m2)
The normal reference level is
10-12 W/m2.
SOUND LEVEL. The weighted sound pressure level obtained by
the use of a sound level meter and frequency weighting
network, such as A, B, or C as specified in ANSI
specifications for sound level meters (ANSI Sl.4-1971, or
the latest approved revision). If the frequency weighting
employed is not indicated, the A-weighting is implied.
SOUND LEVEL METER. An instrument comprised of a microphone,
amplifier, output meter, and frequency-weighting networks
which is used for the measurement of noise and sound levels.
SOUND POWER. The total sound energy radiated by a source
per unit time. The unit of measurement is the watt.
Sound
power level
Sound power level are connected
to the sound source and independent of distance. Sound power
are indicated in decibel.
Lw = 10 log (W /
W0)
where
W0 = reference
power (W)
The normal reference level is
10-12 W which is the lowest sound persons of
excellent hearing can discern. Note that older american
litterature may contain sound power level data referenced to
10-13 W.
SOUND PRESSURE. The instantaneous difference between the
actual pressure produced by a sound wave and the average or
barometric pressure at a given point in space.
SOUND PRESSURE LEVEL (SPL). 20 times the logarithm, to the
base 10, of the ratio of the pressure of the sound measured
to the reference pressure, which is 20 micronewtons per
square meter. In equation form, sound pressure level in
units of decibels is expressed as SPL (dB) = 20 log p/pr.
Sound
pressure level
Since sound measuring
instruments respond to sound pressure the
"decibel" is generally associated with sound
pressure level.
Sound pressure level quantify
in decibels the intensity of given sound sources. Sound
pressure level vary substantially with distance from source,
and also diminish as a result of intervening obstacles and
barriers, air absorption, wind and other factors.
Since I = p2 /
r c then
Lp = 10 log (p2
/ p20) = 20 log (p / p0)
where
p = root mean square
pressure (N/m2)
The usual reference level po
is 20x10-6 N/m2.
Note that the noise from
fans, machines etc. in general are documented in sound power
level.
If the sound
pressure doubles,
the sound pressure level increase with 6 dB.
The lowest
sound level that people of excellent hearing can discern has
an acoustic sound power about 10-12 W, 0 dB
The loudest
sound generally encountered is that of a jet aircraft with a
sound power of 105 W, 170 dB
SOUND TRANSMISSION CLASS (STC). The preferred single figure
rating system designed to give an estimate of the sound
insulation properties of a structure or a rank ordering of a
series of structures.
SOUND TRANSMISSION LOSS (STL). A measure of sound insulation
provided by a structural configuration. Expressed in
decibels, it is 10 times the logarithm to the base 10 of the
reciprocal of the sound transmission coefficient of the
configuration.
SPECTRUM. The description of a sound wave's resolution into
its components of frequency and amplitude.
SPEECH-INTERFERENCE LEVEL (SIL). A calculated quantity
providing a guide to the interference of a noise with the
reception of speech. The speech-interference level is the
arithmetic average of the octave band levels
of the interfering noise in the most important part of
the speech frequency range. The levels in octave bands
centered at 500, 1000, and 2000 Hz are commonly averaged to
determine the speech-interference level.
SPEED (VELOCITY) OF SOUND IN AIR. 344 m/sec (l128 ft/sec) at
70 degrees F in air at sea level.
SPHERICAL DIVERGENCE. The condition of propagation of
spherical waves that relates to the regular decrease in
intensity of a spherical sound wave at progressively greater
distances from the source. Under this condition the sound
pressure level decreases 6 decibels with each doubling of
distance from the source.
SPHERICAL WAVE. A sound wave in which the surfaces of
constant phase are concentric spheres. A small (point)
source radiating into an open space produces a free sound
field of spherical waves. .
STEADY-STATE SOUNDS. Sounds whose average characteristics
remain relatively constant in time. A practical example of a
steady-state sound source is an air conditioning unit.
TEMPORARY THRESHOLD SHIFT (TTS). A temporary impairment of
hearing acuity as indicated by a change in the threshold of
audibility.
THIRD-OCTAVE BAND. A frequency band whose cutoff frequencies
have a ratio of 2 to the one-third power, which is
approximately 1.26. The cutoff frequencies of 891 Hz and
1112 Hz define the 1000 Hz third-octave band in common use.
THRESHOLD OF AUDIBILITY (THRESHOLD OF DETECTABILITY). The
minimum sound pressure level at which a person can hear a
specified frequency of sound over a specified number of
trials.
THRESHOLD OF PAIN. The minimum sound pressure level of a
sound outside the ear that will produce a transition from
discomfort to definite pain.
THRESHOLD SHIFT. A change in the threshold of audibility at
a specified frequency from a threshold previously
established. The amount of threshold shift is customarily
expressed in decibels.
TIMBRE. An attribute of auditory sensation allowing a
subject to judge that two sounds similarly presented and
having the same loudness and pitch are dissimilar, e.g.,
trumpet vs. violin.
TINNITUS. Ringing in the ear or noise sensed in the head.
Onset may be due to an acoustic trauma and persist in the
absence of acoustical stimulation (in which case it may
indicate a lesion of the auditory system).
TONE. A sound of definite pitch. A pure tone has a
sinusoidal wave form.
TRANSDUCER. A device capable of being actuated by waves from
one or more transmission systems or media and supplying
related waves to one or more other
transmission systems or media. Examples are microphones,
accelerometers, and loudspeakers.
ULTRASONIC. Sounds or a frequency higher than 20,000
hertz.
VIBRATION. An oscillatory motion of solid bodies described
by displacement, velocity, or acceleration with respect to a
given reference point.
VIBRATION ISOLATOR. A resilient support for vibrating
equipment designed to reduce the amount of vibration
transmitted to the other structures.
WAVE. A disturbance that travels through a medium by virtue
of the elastic properties of that medium.
WAVELENGTH. For a periodic wave (such as sound in air), the
distance between analogous points on any two successive
waves. The wavelength of sound in air or in water is
inversely proportional to the frequency of the sound. Thus,
the lower the frequency, the longer the wavelength.
WEIGHTING. Prescribed frequency filtering provided in a
sound level meter.
WHITE NOISE. Noise whose energy is uniform over wide
range of frequencies, being analogous in spectrum
characteristics to white light.
WINDSCREEN. A porous device used to cover the microphone
of a sound level measurement system which is designed to
minimize the effects of winds and wind gusts on the sound
levels being measured. Typically made of open cell
polyurethane foam and spherically shaped.
In-plant Environmental
Systems 2000
noise control and air quality products
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